The image of the lotus in the iconography of the painting «medicine buddha bhaisajya-guru» (1271–1368)

Abstract

The study is dedicated to analyzing the role of the lotus in the iconography of the monumental mural «Medicine Buddha Bhaisajyaguru (Yaoshi Fo)» (1271– 1368). The mural exhibits atypical iconography. It has been established that this is due to its creation during the era of Mongol rulers, a time when Chinese art was influenced by Himalayan and Tibetan trends. The lotus, as a symbol of spiritual purity, forms the basis of the compositional connotations significant in Buddhist art. The flower is depicted in several variations: as lotus thrones for Buddhas and Bodhisattvas, as garlands adorning the grand pedestal, and as small lotus pedestals bearing offerings.